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Gallery 1957 Presents Constellations – Part 1: Figures On Earth & Beyond

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London, 24 January 2024 – Gallery 1957 is proud to present its sister-city exhibition  project Constellations, opening in London with Part 1: Figures on Earth & Beyond on 14  March. Coinciding with the gallery’s 8-year anniversary, this multimedia exhibition  project brings together emerging and established artists from within the gallery’s  programme and beyond, celebrating the creative communities burgeoning in Ghana and the UK.  

Artists participating in this group show include those collaborating with the gallery for  the first time; Adelaide Damoah, Alberta Whittle, Andrew Pierre Hart, Ayesha Feisal,  Ayomide Tejuoso (Plantation), Denyse Gawu-Mensah, Henry Hussey, Lisa C Soto, Phoebe Boswell, Rashaad Newsome, and Sarah Meyohas, as well as long-term  collaborators and artists in residence; Johannes Phokela, Larry Amponsah, Yaa Asantewaa Art Prize winner Lois Selasie Arde-Acquah, Modupeola Fadugba, and Zak Ové. 

Co-curated by independent curator Katherine Finerty, curator and artist Tracy Naa  Koshie Thompson, and Compound House Gallery founder Nuna Adisenu-Doe,  Constellations celebrates the cultural exchange between London and Accra’s creative  ecosystems with artists, curators, writers, and filmmakers. It considers how their  interconnectivity breaks the boundaries of time and geography, inviting artists to respond  to the unique natural and artificial habitats of both sites whilst considering elements that  transcend them. 

Phoebe Boswell, the smallest play of leaves in my branches, the smallest scar on my bark, 2024, pastel on  paper, 153cm x 123cm, courtesy the Artist and Gallery 1957.

In line with ecofeminist scholar Donna Haraway, Constellations –Part 1: Figures on  Earth & Beyond rejects the concept of the Anthropocene Epoch, based on the idea that  human activity is the dominant influence on the Earth’s climate and environment in the  current geological age. The exhibition concept challenges our human inclination to centre  ourselves and instead repositions humans as part of a larger ecosystem, critically  examining human-made structures of power, memory, and agency within their wider  environments through concepts of art history, spirituality, technology, and science  fiction. 

The show includes specially commissioned works from artists Phoebe Boswell, Adelaide  Damoah, Andrew Pierre Hart, and Denyse Gawu-Mensah, whilst artists Lois Selasie  Arde-Acquah, Larry Amponsah, Modupeola Fadugba, Henry Hussey, and Ayomide  Tejuoso (Plantation) have adapted new and previous works in line with the exhibition  concept.  

For example, Adelaide Damoah’s works visually reference landmarks near Gallery 1957’s  London space – the equestrian statue of Baron Robert Napier at Queen’s Gate and the  Albert Memorial with images of Queen Victoria and Prince Albert – combining them with  images of her Ghanaian family and Victorian lace to bring to memory the relationship  between colonialism and ancestry. Rashaad Newsome will present a special edition of Self  Inventions, part of the LACMA × Snapchat: Monumental Perspectives (Collection  III) initiative. Engaging augmented reality (AR) to explore representation and history  across monuments, this initiative uses the lens of collective ancestral memory to examine  the individual and communal legacies. Visitors can access Self Inventions on Snapchat by  scanning a QR code at Gallery 1957’s London and Accra spaces, showcasing Newsome’s  shape-shifting robotic figure reflecting the resilience of Black people in the face of  ongoing struggle. Curators Katherine Finerty, Tracy Naa Thompson, and Nuna Adisenu-Doe comment: “The Constellations project brings to life models of knowledge-sharing for  contemporary exhibition making and public gathering. Working together with the  artists whose stories inform our research has enabled us to imagine new futures together. The artworks on display propose a transient space, encouraging audiences to  perceive their individual agency in collective ecosystems and restorative ecologies. Part  1 starts this conversation from roots in the earth and travels to stars from the cosmos – from origin stories to science fiction. In a time where radically reimagining human and  non-human inhabitation is vital, we welcome all artists and audiences who participate  in Constellations to pose future solutions for a regenerative world.” 

Gallery 1957’s 8-year anniversary 

Marking Gallery 1957’s opening on the 6th of March 2016 on Ghanaian Independence  Day, Constellations also celebrates progress of the international recognition for the  Ghanaian and West-African arts scene and its diasporic communities. Eight years  onwards, Ghana’s artistic influence has expanded across its borders, and early  collaborators of Gallery 1957 including Amoako Boafo, Arthur Timothy, Gideon Appah, Godfried Donkor, Kaloki Nyamai, Modupola Fadugba, and Serge Attukwei Clottey are  presented in galleries and museums around the world. 

Marwan Zakhem, Founder of Gallery 1957, comments: “When I founded Gallery  1957 in 2016, it was time for international audiences to discover more of the talent of  Ghanaian and West-African artists. Much has changed since then. I want to thank the  artists and supporters who have been instrumental to Gallery 1957’s success, including  my dear friend and mentor professor Ablade Glover, artist Ibrahim Mahama, former  ICA Director Ekow Eshun, African Artists’ Foundation Founder Azu Nwogbogu and  Katherine Finerty, Tracy Naa Koshie Thompson and Nuna Adisenu-Doe. Gallery 1957  continues to grow, debuting at 1-54 Marrakech and Art Basel Hong Kong in 2024,  whilst continuing our successful residency programme and the Yaa Asantewaa Art  Prize for female Ghanaian artists.” 

Exhibition programme 

As part of Constellations, Part 1: Figures On Earth & Beyond, curator Katherine Finerty  and artist Larry Amponsah will organise a series of interactive collage workshops. These  workshops focus on collective-making and world-building. The sessions will take place  throughout the duration of the exhibition, and exact timing and locations will be confirmed as soon as possible. Some workshops will be open to the public, while closed  sessions will take place in partnership with educational institutions and charitable  organisations, including Gallery 1957’s neighbour The Royal College of Art.  

For the public opening night of the exhibition on 14 March, Andrew Pierre Hart will  perform a special sound set in keeping with his atmospheric soundscape for the  exhibition, which responds to current and past issues related to Ghana and wider issues  and discussions across the African continent. The soundscape fuses experimental sounds  and productions with more recognisable sound, music, and voices to explore these ideas.

To mark the closing of the exhibition, Gallery 1957 will host a performance on 23 May  2024 by Adelaide Damoah. The artist addresses Donna Haraway’s theories in her work  with the aim to foster greater awareness and understanding of how we can create a more  sustainable future. Through this audiovisual journey, Damoah will explore how we can  establish a new ecology by reconnecting with each other and with nature.  

Constellations – Part 2, taking place later this year in Accra, Ghana, will focus more on  the spatial opportunities of Gallery 1957’s exhibition space in Accra, in dialogue with its  surroundings. In line with scholar Timothy Morton, the exhibition re-examines the way  we understand the place of humans in the world, to challenge us into re-thinking ecology without essentialist narratives of ‘nature’. It will create an interconnected portal,  activating the intricate relationships between myth, science, and the ecological dynamics  embedded in cultural narratives.

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